
Reduce classical music’s exposure and you don’t merely rearrange a schedule — you relegate an art form. No television executive ever defends that kind of decision.

A day-long conference staged by Revere Arts on access in classical music revealed systemic blind spots, uncomfortable truths and the barriers still shaping who gets to belong.

Thangam Debbonaire — the former shadow culture secretary who missed out on her constituency and the chance to the UK government’s Culture Secretary — has secured, in addition to a baronetcy, a new role heading up a lobby group for the opera industry: the UK Opera Association.

Sir Keir Starmer’s Private Passions appearance is part love-letter to music, part soft-focus politics. He’s evidently warm in his advocacy of music education, but the committment is light on detail, for all the obvious reasons.

A cracking performance of Brahms’ fortifying Symphony No. 2 rounded off with a much-needed plea from the BBC Scottish Symphony Orchestra’s principal conductor Ilan Volkov

The BBC has been forced to do more with less for years. Orchestras are a tiny fraction of its output, and classical music isn’t what the broad audience is demanding. The Proms remain protected because they deliver reach — and reach is what justifies the Licence Fee.

Strategic messaging dominates Proms Week 1 but what happens to critique when the mood music is set from the top?

An article about a family spending £150,000 on music lessons plays to the gallery of outrage — but overlooks what really matters: the quiet disappearance of accessible, public music education, and the values it instils in young people.

Inside a values-driven programme that stretches across the country and highlights what the state still fails to deliver.