Taut, well-organised and slick. And that was just getting into the auditorium.
Not so much closure as music pointing towards the exit.
We don’t really give classical music PRs the credit they deserve. So, I’m going to make a start.
The language we use to describe music has the potential to convince, persuade or reassure the newcomer, the sceptic, the wary, or the dubious-minded.
Last night I posted a screengrab on Facebook of the Cameron Mackintosh quote that’s doing the rounds at the moment in response to the news about musicians being cut from Phantom of the Opera. Responses were mixed. Some were shocked. Some highlighted how they knew already Cameron had a tendency for dickishnesh, One individual (a…
Ottensamer’s youthful presence and long frame has a whiff of Hector Berlioz about it. A demonstrative artist making his debut in challenging circumstances.
By creating a unique user experience, classical music maybe in creating its own special bubble once again.