Formalising what Thoroughly Good does, why it does it, and who it wants to do it with next.
Pleasingly straightforward and unfussy pops concert in Trafalgar Square featuring young talent from Newcastle and East London.
It isn’t the music itself that transforms mood, its the practise of listening attentively that brings about joy.
There was a party on but not all of the invitees felt able to attend. And I missed them.
Radio still thrives, and television coverage has been afforded the opportunity to get some gratifying wide shots. But is the televisual refresh at the expense of available space for Prommers?
Elegant direction combined with a post-performance discussion brimming with natural rapport makes this digital stream something very special indeed. A blueprint.
Is reporting on an international music festival during a global pandemic really the right thing to do?
It seems a rather odd strategy to open up nightclubs only to impose a strict requirement for entry 6 weeks after you’ve opened them. If it was an incentive to get those who haven’t already been vaccinated to get their jabs I’d understand it (only if the venues remained closed until then). The big question…
Isata Kanneh-Mason played with verve throughout the demanding Mendelssohn Piano Concerto No. 1, creating a tender melodic line in the second movement.